Neuroscience, in fact, has revealed that humans use different parts of the brain when reading from a piece of paper or from a screen. So the more you read on screens, the more your mind shifts towards “non-linear” reading — a practice that involves things like skimming a screen or having your eyes dart around a web page.

“They call it a ‘bi-literate’ brain,” Zoromodi says. “The problem is that many of us have adapted to reading online just too well. And if you don’t use the deep reading part of your brain, you lose the deep reading part of your brain.”

So what’s deep reading? It’s the concentrated kind we do when we want to “immerse ourselves in a novel or read a mortgage document,” Zoromodi says. And that uses the kind of long-established linear reading you don’t typically do on a computer. “Dense text that we really want to understand requires deep reading, and on the internet we don’t do that.”

Back problems can occur when the backbone discs become damaged from stresses placed on them from improper lifting. The discs are composed of a jelly-like core with a strong fibrous ring. Through repeated unsafe lifting, the fibrous ring will become weak and brittle. A sudden heavy load can rupture the disc. Fortunately, we can reduce the risk of back injury by following some simple safety precautions.

Make sure your balance is good. Keep your feet shoulder width apart, bend at the knees and keep your back straight while lifting. Securely grasp the object with the palms of your hand and your fingers. Keeping your chin tucked in will help you to keep your back straight while lifting. Lift by pushing up with your legs; don’t stoop over and use your back muscles to lift with. Keep your arms and elbows close to your body while lifting. Keep the load close to your body when carrying it. Don’t twist your body while carrying the load. Turn your entire body when you
have to change direction. When you set an object down, keep it close to your body, keep your feet apart, bend at the knees and lower it down gradually.

Amy Poehler, then new to “Saturday Night Live,” was engaging in some loud and unladylike vulgarity in the writers’ room when the show’s then-star Jimmy Fallon jokingly told her to cut it out, saying, “It’s not cute! I don’t like it!” In Fey’s retelling, Poehler “went black in the eyes for a second, and wheeled around on him,” forcefully informing him: “I don’t fucking care if you like it.”

Black people are dying and it’s not your personal fault that black people are dying because you’re white but if you don’t make a purposeful choice to become a white ally and actively work to dismantle the racist system running America for the benefit of white people then it becomes your shame because you are white and black lives matter. And if you live your whole life and then die without making a purposeful choice to become a white ally then American racism becomes your legacy.

“These songs, which presume to assure women that they are attractive (and, by extension, worthwhile),” Rebolini writes, “assume that the singer’s relationship to our bodies overrules our relationship with them.”

Arianna Rebolini doesn’t care if you like it. “Don’t tell us we don’t know we’re beautiful,” she concludes. “And certainly don’t tell us that our ignorance to this fact is our best quality. We’re good.”

The resonant, the orotund, the rounding of
The round full phrases sounding like far sighs,
As if an ancient hill has found a motion
Long remembered, never brought to action …

Theodore Roethke, from “Words for Young Writers,” On Poetry & Craft (Copper Canyon Press, 2001)